: Klonos for Alto Saxophone and Piano by Piet Swerts ( ): Piet Swerts: Books. Sheet music for Piet Swerts: Klonos: buy online. Arrangement: Alto Saxophone. Published by Zodiac Editions. Composer: Swerts. Piet Swerts: Klonos, for saxophone and piano – Play streams in full or download MP3 from Classical Archives (), the largest and best.

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So my question, which version do you have if you have this. From untilhe became also conductor of the Ensemble for Contemporary Music at the Institute and since that time, he has mostly worked off the base of commissions. Good Luck Chris tenor Murphy is more than willing to mail out his lecture recital packet to anyone interested in it though. I’ve found a few slight differences in the parts and it’s driving me nuts that some notes and rhythms are inaccurate.

I’ve always wondered whether some of those were true errors, or errors from an overly ambitious editor Inhis Kotekan for saxophone and strings has been commissioned by the International Adolphe Sax Association as compulsory concerto during the finals of the competition in November Here you could get the info you need about Klonos.

Piet Swerts: Klonos

I have both his PDF and the published version by Ascolta. Although i’ve been finding a lot of stuff about this piece myself. I hope this helps. Sorry if I hijacked this thread, but I greatly appreciate the information regarding Creston’s comments. Inhe became Doctor Ph. I have somewhere in my file a handout that was prepared by Otis Murphy that included background on the piece, analysis, and errata.


It is even your chance to become an authority on the published version’s accuracy. It’s my fault, I wrote for the first movement, and for the third.

In the magazine, Opera Now UKit was hailed as one of the most remarkable events of that season. Angel PortlandSax The answers that you get from that source will in all likelihood be more accurate than anything you will get on this MB. Paul Creston once commented that the tempos were entirely wrong in the Sonata, and they were wrong because his publishing editor changed them I lkonos figure that this would be a good thread to have in case anyone else was playing this piece and was didn’t know of these errors.

I just haven’t had a real scanner yet heheh.

Plus so I could figure out if there were klonoss more errors since every correspondence i’ve had with Piet Swerts has just been “I found this, is this wrong? In Septemberhis Symphony No. So I don’t know if i’ve caught everything or not. Inthe international organization Jaycies awarded him as one of the Ten Outstanding Young People.

Piet Swerts – Klonos by boglarkanagy | b n | Free Listening on SoundCloud

Klonos by Piet Swerts. I just thought I would address them in case someone else might’ve gotten the piece and did not know this.

He’s a real nice guy! I wanted to be able to discuss some of the wrong crap in this piece. Could you elaborate on wrong? So if anyone else is interested I can upload it konos be available.

Also, I would love to see a copy of the Otis Murphy Lecture. Sincehe is Professor of Composition and Orchestration at the same institute, now Department of Drama and Music associated with the Catholic University of Leuven. It sounds so much better than the faster recordings that I was planning with some trepidation to ignore the composer’s markings. I’d kllonos to see that packet I’m definately interested. After corresponding sswert one particular composer, I was sent music that had been hand[written], ie [scribbled], with notes so small you would wonder how it was ever done in the first place.


Also, how do you know that the rhythm’s and notes are inaccurate if you have only the PDF? I have found an unusually high tolerance by composers to disseminate their own music with errors or otherwise incomprehensible scribbling they call notation.

Inhis violin concerto Zodiac was selected out of works from 28 countries as the compulsory concerto for the finals of the International Queen Elisabeth Competition for Violin. He’s very generous and helpful, so don’t hesitate! JR Rick His large-scale piece for choir and orchestra Living Stone, a set of 14 pieces and 60 minutes of music to be built in an exposition with the same name and content in the Museum site M in Leuven, from September until January has been recorded on CD.

I may or may not find it, but I would urge you to contact Otis to see if he could send it to you. Creston told all saxophonists at the International Saxophone Competition in Gap, France that he would like the tempo’s changed in the Sonata to: The only wrong tempo I can remember is in the second movement which should be instead of I’m sorry if this thread seems silly.